Episode 24 of The Jaime David Podcast is out now!
Listen on Spotify:

Episode 24 of The Jaime David Podcast is out now!
Listen on Spotify:

The Jaime David Podcast – Episode 22: One Year Later is out now.
Listen to it on Spotify:
Check out the original post here:
Read the episode transcript below:
Jaime David Podcast — Episode 22
Title: One Year Later
Hey everyone, this is Jaime David. Today’s episode is very personal. It’s called One Year Later, about my late uncle, who passed away in 2019. I wrote this poem just a few days after the anniversary of his passing, back in April 2020—right when COVID-19 was already changing the world.
Losing him was one of the hardest things I’ve ever experienced. And going through that loss right as the pandemic hit made everything feel even heavier. But writing this poem helped me hold onto hope when so much felt uncertain.
Here’s the poem:
One Year Later
It’s been a year since you’ve been gone.
You’re gone from our lives, but not our hearts.
I’ve known you all my life, and I still can’t believe you’re gone.
I miss you a lot. I wish you were here.
I’ve got so much to tell you. I’ve got so much to say.
All I can really do is live life day by day
And take chances in life to see where things will congregate.
I don’t know where I’ll be in a couple of years from now,
But one thing I do know is that I won’t ever back down.
I won’t let fear and insecurity
Prevent me from being me,
Seeing all I can see,
And being the best person that I can be!
You always taught me to not give up,
To not give in,
And to never quit.
You taught me to pursue my goals and dreams no matter how hard they may be.
You taught me to overcome obstacles and challenges no matter how difficult they may seem.
You had so much potential and so much life left to live.
I wanted to see you be happy and succeed.
You were taken from this world too soon.
I wish you could see the person that I’ve become!
Reading these words again reminds me of something very important — even when life feels hard or unfair, we can find strength by holding onto hope and moving forward, day by day. The poem is a promise to myself to keep going, to live fully, and to grow into the person my uncle believed I could be.
My uncle had a simple but powerful phrase he would say when things got tough: “Don’t be a quitter.” That advice wasn’t just about never giving up for the sake of it. It was about refusing to let fear or hardship stop you from being who you’re meant to be. It’s about resilience—finding the courage to keep trying, to learn from failure, and to keep pushing toward your dreams even when the road is rough.
I want everyone listening to remember this too. When life knocks you down, when you feel lost or overwhelmed, don’t give up. Don’t be a quitter. Hold onto hope, lean on the people who care about you, and keep taking small steps forward.
You might not know exactly where you’ll end up, but as long as you don’t quit, there’s always a chance for something better ahead.
Thank you for spending this time with me. Stay strong, be kind to yourself, and remember: your story is still unfolding. Keep writing it with courage and hope. I’ll catch you in the next episode.

Episode 22 of The Jaime David Podcast is out now.
Check it out on Spotify:

It’s been seven years,
Seven years that you been gone.
I cannot believe,
Can’t believe that you’ve been gone.
Was like yesterday
You were there.
Now today,
you’re not here.
Tomorrow’s your birthday,
What would have been your birthday.
Another year you’d get older,
Another year you’d be bolder.
Where’d the time go?
It feels like long ago
That you were still here.
Doesn’t feel that long ago.
I wish you were here still.
If only there was more time.

Episode 18 of The Jaime David Podcast is out now!
Read the original post here:
Listen to the episode on Spotify:
See the episode transcript below:
Intro:
Hey everyone, this is Jaime David, and welcome back to The Jaime David Podcast. Today we’re diving into one of my longer, more personal works — a poem called “The Dome.” This poem holds a special place for me because it was the very first poem I ever submitted to a contest. Even though it wasn’t accepted, the whole experience, and the story behind it, really meant a lot. So, I want to share that background with you before we jump into the poem and then have a deeper discussion about it.
Background Discussion:
So, about a month before I wrote this poem, I was just casually browsing YouTube when I came across a video by a channel called DarkDocs. The video was titled “Is America’s Own Chernobyl Sitting In The Middle of the Ocean.” It really opened my eyes to a hidden environmental disaster — the Runit Dome in the Marshall Islands. This dome is essentially a concrete vault that holds radioactive waste from nuclear tests done decades ago. The problem is, with sea levels rising due to climate change, this dome is leaking or at risk of leaking radiation into the ocean, threatening not only the Marshallese people but potentially the entire world’s oceans.
Then, I saw another related video in the suggestions by ABC News, which covered the ongoing impact of this dome on the Marshallese community. One of the people they featured was Kathy Jetnil-Kijiner, a poet from the Marshall Islands who read a moving poem at the UN Climate Summit back in 2014. Her work inspired me a lot, so I followed her social media and found out about a book project she was involved in — a collection of scientific articles and poems about climate relocation and climate crisis. That’s when I decided to submit my own poem for the contest.
Fast forward to today, the poem wasn’t accepted for the book, but the editors told me they appreciated my excerpt and had a huge number of submissions. Even though I didn’t make it into the book, I’m sharing the full poem here because the message is so important — about climate change, about human impact, about responsibility — and I hope it resonates with you as much as it does with me.
Poem Section (casual lead-in):
Now, the poem itself is one of my longer pieces. It’s raw, emotional, and full of urgency, and I think it captures the complex mix of hope, despair, and responsibility we all feel when we think about climate change and environmental disaster. Let’s dive in.
Bikini Atoll;
They were told
The US were protectors
Of hope
And of freedom.
Instead, they were relo-
-cated from their homes
While their atolls
Were bombarded with radiation,
Which had took a toll
On them and their souls,
And the remains of it all
Were buried underneath a dome
That is called “The Tomb.”
How ironic it’s name is, so,
Because the Runit Dome
Has the potential
To become their own tombs.
With sea level rising,
It’s becoming a crisis
That if the radiation finds its
Way out, it could
Completely poison
The entire Earth’s oceans,
And this is because of the
Changing Earth’s climate!
Is there any hope for us to survive this
Disastrous threat that could possibly annihilate us?
I’d say there is, but we need to realize this:
For us to survive it,
We all need to rise up and
Take a stand for what’s right, which
Is saving the entire planet
From total destruction.
It may sound bleak; it may sound alarmist,
But I believe we all can grow and thrive despite this!
That is why I, a mere man who writes this,
An artist with a creative mind that is
Concerned about the state of the world and this climactic climate crisis,
Had decided to sit down and take the time to write this.
I wrote this poem
Because I care about my home.
I care about the loved ones that I call my own.
I wrote this for my friends; my family, too!
I wrote this for their friends, and their families, too!
I wrote this for everyone; everyone that’s in the room;
The room that is so big and so round and so blue;
The room that has oceans that spans millions of miles;
The room that has a diversity of creatures both on land and in the sea;
The room that has been around for billions of years;
The room that houses a species that has accomplished many great feats, but has also caused a myriad of tragedies that led countless people to defeat;
The room that I’m proud to call planet Earth.
I was not asked to be born on this Earth,
But it is my place; the place of my birth.
It sorta just happened; one day I was conceived.
I grew to a fetus, then a baby, and then eventually an adult human being.
It was a slow process; just like humanity’s growth on this Earth for thousands of years.
We started out in caves, and eventually made great things.
Along the way, we also had created
Devastating weapons that can harm us and hurt us in many ways.
The same goes with climate change; it’s mostly man-made.
It is a mess that we ourselves had made.
The consequences are dire; the Earth is on fire.
But if we take a stand now, I believe we’ll survive this!
The Earth is our home; it is our dome.
It is the one thing that should come above all!
Just as the dome
Located in the Enewetak Atoll
Has the potential
To destroy us all,
We too have the potential;
The potential to be saviors
For not just the here and now,
But for future generations.
That is why I had wrote this poem.
So if you see this message, please heed the urgency
To do something about this climactic climate emergency
That could lead to insurgency
Of disastrous natural convergency
That could inadvertently lead
To extreme diathermancy
And create great divergency.
We must fight this looming threat, and we must do so with great fervency,
For it is this Earth that we love with great ardency!
We must stand up and fight, and must do so without errancy.
We must not treat this threat as a mere nonemergency.
We must respect this planet with great amounts of conservancy,
And clean up this world with great levels of detergency.
This our home; the home that we were grown.
This Earth is our dome, and this is its poem!
Post-Poem Analysis & Reflection:
Alright, so what can we unpack here? The poem starts with Bikini Atoll, which was the site of devastating U.S. nuclear tests. The people there were forcibly relocated with promises of protection and freedom, only to suffer radiation exposure and loss of their homeland — a literal human tragedy buried under what’s called the “Tomb” or the Runit Dome.
That dome, as the poem highlights, is now a ticking time bomb because climate change is raising sea levels and threatening to release radiation into the oceans. This isn’t just a local problem — it’s a global crisis. The oceans are the lifeblood of our planet, and poisoning them could lead to catastrophic consequences for ecosystems and humanity alike.
But the poem doesn’t just stop at describing the disaster. It’s a call to action — a plea for us all to rise up, to take responsibility, and to fight for the Earth, our only home. It reminds us that while the situation may sound bleak, there is hope if we come together and act with urgency and care.
I also love how the poem personalizes this — not just as a distant environmental issue, but as something that touches families, communities, all of us. The Earth isn’t just a place; it’s our home, a dome that shelters us all. And like the Runit Dome, what we do to it can either save us or destroy us.
This poem was my way of processing the climate crisis and expressing my deep concern — and I think that’s something we all need to do. Reflect on what’s happening, and then ask ourselves: What can we do? How can I be part of the solution?
So, thanks for joining me for this episode. If this poem speaks to you, I encourage you to learn more about climate change, share your thoughts, and get involved however you can. Until next time, I’m Jaime David, and this was The Jaime David Podcast. Stay aware, stay active, and take care of our home.

Episode 17: “Subway Sunsets is out now.
Original Poem:
Listen on Spotify:
Transcript:
Intro:
Hey everyone — welcome back to The Jaime David Podcast. I’m your host, Jaime David, and this is Episode Seventeen.
Today, we’re looking at one of my shorter poems — but don’t let the length fool you. Sometimes a few lines are all it takes to set a whole mood. This one’s called “Subway Sunsets,” and it’s all about those quiet, still moments we sometimes catch in the middle of chaos.
Pre-Poem Discussion:
I remember writing this one after a long day, sitting on the subway, kind of lost in my own head. You know that moment when the train breaks above ground, and sunlight just hits differently? That in-between state — the commute, the twilight, the city buzzing but also somehow pausing just for you?
That’s what I tried to capture.
I think a lot of people associate the subway with stress, crowds, delays. But sometimes — not always, but sometimes — there’s beauty in that underground rhythm. Or, in this case, right above it.
Let me go ahead and bring in the poem now — again, it’s short, but it’s more about the feeling it leaves behind.
It’s the end of the day.
You’re on the subway.
It’s still twilight.
It’s not yet night.
Through the clear glass pane,
The setting sun is shining on your face.
Post-Poem Analysis & Reflection:
So that’s “Subway Sunsets.”
What I love about this piece is that it’s kind of a snapshot — like a Polaroid for the soul. It doesn’t try to over-explain or get too deep. It just says: here’s a moment. Here’s light hitting your face while the train rocks forward. That’s it. But that’s enough.
The phrase “It’s not yet night” really lingers for me. That liminal space — when the day’s ending but the night hasn’t fully taken over — can feel so reflective. You’re physically transitioning from one place to another, but emotionally, you might be stuck somewhere in between.
And then the last line — “The setting sun is shining on your face.” It’s simple. But in a way, it feels like a blessing. Like the universe saying: hey, before it gets dark, here’s a little warmth.
That’s what I wanted this poem to feel like. A pause. A breath. A reminder that even in transit — literally and figuratively — we can find beauty.
There’s also something quietly hopeful about it. The day might be done, but the light still touches you. You’re still present. Still here. And the moment still matters.
Anyway — thanks again for riding this one out with me. If you’ve ever had a small moment like that, where everything briefly slows down even in a busy space — I’d love to hear about it.
I’ll catch you next time on The Jaime David Podcast. Take care, and don’t forget to look for the light, even when you’re just riding home.

There are moments in a writer’s life where you expect confusion. Pen names overlap. Search engines blur identities. Algorithms collapse nuance into a single name and hope nobody notices. That part, I understand. What I did not expect — what I absolutely did not sign up for — is to be repeatedly, persistently, and increasingly mixed up with another author whose name is almost mine, but not mine, and to watch that confusion escalate from an occasional annoyance into something that now feels like a genuine problem for my identity, my work, and my credibility.
So let me say this as clearly, bluntly, and unambiguously as I possibly can.
I am Jaime David.
Not Jamie David.
Not “close enough.”
Not “probably the same person.”
I am Jaime David — the author of Wonderment Within Weirdness, My Powerful Poems, and Some Small Short Stories.
Jamie David is the author of Johann Sebastian Humpbach.
Those are two different people.
And apparently, in the year 2026, that distinction is somehow too difficult for a disturbingly large number of people — scammers especially, but not only scammers — to understand.
At first, this was almost funny.
Almost.
The first few times someone messaged me or contacted me under the assumption that I was the author of Johann Sebastian Humpbach, I chalked it up to coincidence. The names are similar. Swap an “i” and an “m.” Easy mistake. Algorithms are dumb. People skim. Fine.
Then it kept happening.
And happening.
And happening.
Different accounts. Different messages. Different platforms. Some clearly scams, some more ambiguous, some just… wrong. Always the same confusion. Always the same assumption. Always my name being treated as interchangeable with someone else’s career, someone else’s book, someone else’s identity.
Eventually I wrote a lighthearted post about it.
I tried humor. I tried clarity. I tried being casual about it. I tried to say, gently and politely, “Hey, different person here, different books, different career.”
I hoped people would get the hint.
They did not.
In fact, somehow, it got worse.
Now it isn’t one person.
It’s many.
And while yes, a large portion of them are scammers, here is the part that actually matters — and this is where the tone shifts from annoyed to genuinely concerned.
If scammers are mixing me up…
What do you think genuine readers are doing?
Because scammers follow patterns. They scrape data. They mirror what search engines surface. They operate on what looks ambiguous online. They exploit confusion, but they do not invent it. They amplify what already exists.
Which means this name collision is not just a scam problem.
It is a branding problem.
It is an identity problem.
It is an authorship problem.
It is a discoverability problem.
And for someone like me — an independent author, a self-published writer, someone actively trying to build a long-term body of work and a recognizable name — that is not trivial. That is not cosmetic. That is not something I can just shrug off.
Names matter.
Authorship matters.
Attribution matters.
Because books are not interchangeable products. They are extensions of people. Of voices. Of careers. Of years of work.
When my name is confused with another author’s, several things happen, and none of them are harmless.
Readers who are looking for her book may land on my page and be confused.
Readers who are looking for my books may land on her page and think I wrote something I did not.
People may form impressions of my work based on a book I never wrote.
People may form impressions of her based on books she never wrote.
And worst of all, from a professional standpoint, my own catalog becomes harder to find, harder to trust, and harder to anchor to a stable identity.
This is not about ego.
This is not about jealousy.
This is not about rivalry.
I have nothing against Jamie David as a person or as a writer. I am not accusing her of anything. She did not cause this. She did not design this collision. She is simply another author with a nearly identical name.
The problem is the system.
The problem is the overlap.
The problem is the increasing frequency.
And the problem is that silence clearly did not fix it.
So now I am doing what I did not want to do the first time.
I am drawing a hard, explicit, unavoidable line.
Again.
I am Jaime David.
Spelled J-A-I-M-E.
I am the author of:
Wonderment Within Weirdness
My Powerful Poems
Some Small Short Stories
All three are my books.
All three are mine.
They are available here, on my Lulu page:
https://www.lulu.com/spotlight/jaimedavid
That is my official author page.
That is where my work lives.
That is where you will find what I actually wrote.
Jamie David — spelled J-A-M-I-E — is the author of Johann Sebastian Humpbach.
That book is not mine.
I did not write it.
I am not associated with it.
I am not connected to it.
If you are looking for that book, you can find it here:
http://johannsebastianhumpbach.com/
That is her site.
That is her work.
That is her book.
Two different writers.
Two different catalogs.
Two different careers.
One letter of difference.
And somehow, a mess.
Now, let me explain why this actually bothers me more than I initially expected.
Because when you are a writer — especially an independent writer — your name is your primary anchor.
You do not have a major publisher protecting your metadata.
You do not have a marketing department cleaning up search results.
You do not have a PR team making sure platforms display your work correctly.
Your name is your brand.
Your name is your signal.
Your name is the only stable link between your books, your blog, your social presence, your archive, your podcast, your essays, your long-term body of work.
And I have spent years building that.
My blog has been active since 2019.
I have an archive site.
I have three published books.
I have a podcast.
I am active across platforms.
I am actively trying to get broader distribution for my work.
I am not casually dabbling here.
This is something I am serious about.
So when my name starts drifting into someone else’s orbit, even unintentionally, that is not just inconvenient. It actively undermines the continuity I am trying to build.
And here is the part that really gets under my skin.
It is not just that people are confused.
It is that people are confidently wrong.
They message me assuming I wrote something I did not.
They approach me under a false premise.
They treat me as a representative of a book I have never even read.
And when I correct them, sometimes they double down, or act surprised, or treat it as some kind of weird footnote instead of what it actually is: a fundamental error.
This creates a strange, subtle form of identity erosion.
Not dramatic.
Not catastrophic.
But cumulative.
Every misattribution chips away at clarity.
Every confusion weakens the signal.
Every wrong assumption pollutes the trail of authorship.
And in a digital ecosystem where discoverability is already fragile, that matters more than people realize.
Now, about the scammers.
Yes, many of these interactions are scams.
And normally, I would ignore them.
But the reason they matter here is diagnostic.
Scammers are pattern followers.
They scrape author databases.
They harvest names.
They copy what looks legitimate.
They do not randomly invent obscure literary connections.
So if scammers are systematically confusing Jaime with Jamie, that tells me the confusion is baked into search results, indexing systems, or metadata in some way.
Which means readers — real readers — are likely encountering the same ambiguity.
And that is unacceptable to me.
Not because I want attention.
Not because I want dominance.
But because authorship should not be ambiguous.
If someone is reading my work, they should know it is mine.
If someone is reading her work, they should know it is hers.
That is basic intellectual honesty.
So yes, I am frustrated.
Yes, I am annoyed.
And yes, I am done pretending this is harmless.
Because here is the uncomfortable truth.
In an age where misinformation spreads effortlessly, where AI systems summarize without nuance, where algorithms collapse distinct entities into a single cluster, name confusion is not a small thing anymore.
It becomes a vector.
It becomes a distortion.
It becomes a slow corruption of attribution.
And I refuse to let my body of work slowly dissolve into someone else’s metadata.
I am not asking for exclusivity.
I am not asking her to change her name.
I am not asking the internet to bend to my will.
I am simply doing the only thing I can reasonably do.
I am stating, clearly and publicly:
I am Jaime David.
My books are mine.
Her book is hers.
And the difference matters.
If you are a reader, and you found me because you were looking for Johann Sebastian Humpbach, you are in the wrong place.
If you are a reader looking for Wonderment Within Weirdness, My Powerful Poems, or Some Small Short Stories, you are exactly where you should be.
If you are a platform, an index, an algorithm, a scraper, a database, or a system that currently treats these names as interchangeable, you are wrong.
And if you are a scammer trying to exploit that confusion, congratulations — you have officially made me more stubborn than you are persistent.
Because I am not letting this slide.
I did not think I would need to write a second post about this.
I genuinely did not.
But here we are.
And if I have to write a third, I will.
Because authorship is not a suggestion.
Identity is not flexible.
And names, even when separated by a single letter, are not interchangeable.
I am Jaime David.
Remember it.

What makes a friend a friend?
Is it the time that you spend?
Is it the depth of the connection?
Is it the common interests?
Is it the amount of time after you first met?