Title says it all.
Category: news
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Google’s New Policy and the Future of Writing, Reading, and Creative Apps
Writing and creativity have always thrived when access to tools and stories is open. From the printing press to the rise of self-publishing, every leap in technology has expanded who can create and who can read. In our modern age, smartphones and tablets are the newest printing presses, the newest notebooks, the newest bookstores. They hold writing apps, self-publishing platforms, e-readers, and countless tools for creativity.
But what happens when access to these tools is restricted? That’s the concern raised by Louis Rossmann, a well-known tech activist who recently criticized Google’s new policy. Under this change, developers who want to distribute apps outside the Google Play Store must now register, verify their identity, and pay a fee. Google also warns that apps installed outside their store are “50 times more likely” to contain malware.
On the surface, this might seem like a reasonable safety measure. But for writers, readers, and creatives, the consequences could be severe.
Smartphones as Creative Libraries
Rossmann reminds us that smartphones aren’t “just phones.” They are computers, and for many, they are also libraries, notebooks, and publishing platforms. Writers use them to draft stories, poets use them to jot down lines on the go, and novelists use apps to organize entire worlds. Readers use apps to access books, from mainstream bestsellers to indie gems that never see the shelves of a chain bookstore.
The beauty of writing apps and e-reading platforms is their variety. Some come from big companies, but many are built by small developers or independent writers who want to share their work. These creators may not have corporate backing, but they bring diversity and innovation to the literary world.
Barriers for Indie Authors and Developers
Under Google’s new policy, independent developers face new obstacles. Imagine a self-published author who has built a free app to share their short stories. Or a small team that develops a poetry journaling app. Or a startup offering an experimental e-reader focused on indie literature.
Requiring fees and verification creates financial and bureaucratic barriers that many small creators can’t easily overcome. Some may abandon their projects altogether. That means fewer tools for writers and fewer platforms for readers.
In other words, the policy risks silencing voices that don’t come from big publishing houses or tech companies.
The Language of Fear: “Sideloading”
Google’s use of the term “sideloading” is also troubling. The word frames independence as danger. For many readers and writers, some of the best creative apps come from outside the Play Store: apps that allow access to banned books, open-source writing tools, or experimental publishing platforms.
If users hear that these apps are “unsafe,” they may avoid them entirely. That not only hurts developers, but also weakens the culture of independent literature and creativity.
Access to Books at Risk
Consider how many readers today find books through apps, especially those outside mainstream bookstores. Many independent authors distribute their work through alternative e-reading platforms, some of which aren’t hosted on the Play Store. Others rely on small-scale apps to reach audiences that traditional publishing overlooks.
If those apps become harder to install—or if users are scared away by warnings—access to books shrinks. And when access shrinks, creativity suffers.
Writing Apps and Education
Writing isn’t just about publishing books—it’s also about learning. Students use apps to practice creative writing, journaling, and poetry. Teachers use small, independent apps to encourage storytelling in classrooms. Many of these apps are made by educators themselves, without the budget or corporate support to easily navigate Google’s new requirements.
If these tools disappear, the next generation of writers loses opportunities to explore their voices.
Creative Independence and Digital Control
Rossmann warns that this isn’t just about phones—it’s about control. If companies can decide which apps are “safe” enough to install, they hold the keys to creativity itself. Today it’s Android apps; tomorrow it could be software on laptops or e-readers.
For writers and readers, this is a chilling prospect. The act of writing has always been tied to freedom: freedom of thought, freedom of expression, freedom of access. Restricting how apps are installed means restricting how stories are shared.
Why It Matters for the Arts
Some may argue that writers can always publish in books or online blogs. That’s true—but apps are increasingly important for reaching readers. Apps can offer interactive storytelling, poetry generators, or book clubs with built-in discussion features. They can connect readers and writers across the world instantly.
Restricting these platforms risks narrowing the ways in which stories can be told. Literature doesn’t only belong on shelves—it belongs everywhere, in every form technology allows.
Conclusion: Protecting Creative Freedom
Rossmann’s critique highlights something bigger than a software policy. It’s about the future of creativity in a digital world. Writing and reading have always expanded when barriers fall. Google’s new rules build new walls—and those walls may keep out the very voices that literature most needs.
Smartphones are more than phones—they are libraries, notebooks, and printing presses. Writers and readers deserve the freedom to install the apps that inspire them, without unnecessary gatekeeping.
If we value creativity, we must also value digital freedom. The future of writing depends on it.
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Who Cares If Mutahar Lied About Being an Engineer? Seriously.
Let’s cut through the noise: Mutahar, aka SomeOrdinaryGamers, got “exposed” for not actually being a licensed computer engineer after years of calling himself one online. And the internet, true to form, immediately exploded with outrage, memes, and finger-pointing. But here’s the thing—

This isn’t some scammer who conned people out of thousands with fake credentials. This isn’t someone operating on people’s brains without a medical license. Mutahar isn’t building bridges or managing nuclear plants. He’s a content creator on YouTube talking about tech, games, deep web oddities, and digital privacy. At worst, he’s guilty of résumé fluffing — the kind of thing half the internet does every day.
Yes, in Ontario, calling yourself an “engineer” without a license is technically a legal issue. But that’s not the same as lying to exploit people. This isn’t a criminal fraud case. This is just a guy who oversimplified or exaggerated his background to lend credibility to his commentary. And the reason anyone believed him wasn’t because of the title — it was because his work and knowledge backed it up.
And that’s the key here: Mutahar has never faked his skills.
Over the years, he’s proven time and again that he knows what he’s talking about. From breaking down malware and cybersecurity risks to calling out shady behavior in the tech world, his track record of solid, insightful content speaks for itself. Whether he learned that from a job, college, a bootcamp, or his basement — who cares? The results are there. His audience didn’t stick around because he said “engineer” — they stuck around because he delivers.
And let’s go further: if Mutahar did teach himself everything a computer engineer would know, and he’s consistently demonstrated that skill set — well, then guess what? He is one.
No, not by government certification. But in practice? If it walks like a computer engineer, talks like one, solves technical problems like one, and helps others like one… it probably is one. The only difference is a piece of paper and a license number. The internet isn’t full of licensed experts — it’s full of people who do the work, and Mutahar’s been doing the work for years.
Now, some people — like TheArchfiend — are comparing him to creators like Boogie2988, who faked having cancer to manipulate his audience. Let’s be crystal clear: that is not the same. Boogie lied to gain emotional support and financial aid. That was exploitation. Mutahar exaggerated a job title, and nothing more. He didn’t scam anyone. He didn’t manipulate his fans. He didn’t take money under false pretenses.
Same goes for people saying he’s a hypocrite for calling out MamaMax. Mutahar criticized MamaMax for content ethics and self-image — not for credentials. That’s an entirely different conversation than whether someone’s background lines up perfectly with what they claimed.
Let’s not fall into false equivalency just because the word “lied” is involved. Context matters. Intent matters. Impact matters.
So yeah, Mutahar shouldn’t have called himself an engineer if he wasn’t officially licensed. But the outrage is disproportionate, and the comparisons to actual grifters are ridiculous.
You want to cancel someone for a serious offense? Go after the people who exploit their audiences emotionally, financially, or psychologically. Not the guy who gives you tech advice and malware breakdowns — and happens to know what he’s talking about.
This isn’t the exposé people think it is.
Let it go. Move on.
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Creators and Congress: Why I’m Keeping an Eye on New Changes to Internet Laws
As someone who creates content online, I’m always paying attention to how the internet is changing — not just in terms of trends or technology, but also in terms of laws and policies. Recently, there’s been a lot of buzz about something called the Congressional Creators Caucus, and it got me thinking about what this might mean for people like me — and for the people who watch, read, or listen to our work.
The Congressional Creators Caucus was launched earlier this year, and it’s meant to give digital content creators a stronger voice in Washington, D.C. It was supported by MatPat — a name many YouTube fans will recognize from Game Theory — and his wife Stephanie. They’ve been involved in the world of online content for a long time, so in some ways, it makes sense that they’d want to help creators be heard at the policy level.
The idea of Congress listening to creators might sound exciting. And in some ways, it is. Creators work incredibly hard — often for long hours, with little financial certainty — and we face real challenges with algorithms, content rules, monetization changes, and staying safe online. Having lawmakers recognize those challenges is a step in the right direction.
But I’m also cautious. Alongside this new caucus, there’s a federal bill called the Kids Online Safety Act (KOSA) that’s getting attention. On the surface, KOSA is about making the internet safer for kids, which is something we can all agree is important. But like a lot of things in government, the way a bill is written matters just as much as what it’s trying to do.
Some creators, advocates, and privacy experts are worried that KOSA could go too far. Depending on how the rules are enforced, it could lead to too much content being taken down, especially posts that talk honestly about mental health, identity, or growing up. Others are concerned that it could require websites and apps to collect more personal information to “verify age,” which raises questions about online privacy — something that matters to everyone, no matter your age.
I don’t want to sound alarmist. These conversations are still happening, and nothing is set in stone. But I do think it’s fair for creators to ask questions and stay informed. If policies like these change how we’re allowed to post, what we can share, or how audiences can find us, it’s going to affect not just creators — but also the communities we’ve built with our audiences over time.
This isn’t about being for or against something politically. It’s about making sure we don’t rush into decisions that could unintentionally hurt the very people we’re trying to protect. We need laws that make the internet safer without silencing important voices or putting up walls between creators and their supporters.
As someone who cares deeply about creativity, connection, and communication, I’m hopeful we can find the right balance. But until then, I’ll keep watching and speaking up — because the internet has given creators a place to thrive, and we shouldn’t lose that.






